“Calling All Nations” is like a late ’80s pre-internet “Pump Up Kicks” with a cliche positive vibes instead of a quiet kid with a gun. You know, the ’80s was so obsessed with ‘world peace.’ There’s ‘world peace,’ then there’s overt objectification in “Maynila.” The chorus goes “Sa Maynila ka makakahanap ng magagandang babae,” as if beautiful girls were cars, tall buildings, and every thing that screams Manila and not provincial. The whole thing’s hardly worth your bandwidth, save for “However Which Way” which is good. C+